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Killing the Shadows

Cover of Killing the Shadows

Killing the Shadows

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A killer is on the loose, blurring the line between fact and fiction. His prey - the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.

Professor Fiona Cameron is an academic psychologist who uses computer technology to help police forces track serial offenders. She used to help the Met, but vowed never to work for them again when they went against her advice and badly screwed up an investigation as a consequence. Still smarting from the experience, she's working a case in Toledo when her lover, thriller writer Kit Martin, tells her a fellow crime novelist has been murdered. It's not her case, but Fiona can't help taking an interest.

Which is just as well, because before too long the killer strikes again. And again. And Fiona is caught up in a race against time, not only to save a life, but to bring herself redemption, both personal and professional.

Rich in atmosphere, Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome.
A killer is on the loose, blurring the line between fact and fiction. His prey - the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.

Professor Fiona Cameron is an academic psychologist who uses computer technology to help police forces track serial offenders. She used to help the Met, but vowed never to work for them again when they went against her advice and badly screwed up an investigation as a consequence. Still smarting from the experience, she's working a case in Toledo when her lover, thriller writer Kit Martin, tells her a fellow crime novelist has been murdered. It's not her case, but Fiona can't help taking an interest.

Which is just as well, because before too long the killer strikes again. And again. And Fiona is caught up in a race against time, not only to save a life, but to bring herself redemption, both personal and professional.

Rich in atmosphere, Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome.
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  • One of Britain's most popular authors of contemporary crime fiction, Val McDermid grew up in a Scottish mining community, read English at Oxford, then returned to Scotland to work as a journalist. She was National Bureau Chief on a national Sunday tabloid before quitting in 1991 to become a full-time novelist.
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  • AudioFile Magazine Mystery writers are being slaughtered in the manner of their fictional victims. It's up to psychologist Fiona Cameron to find the killer before he can get to her lover, who just happens to pen thrillers. Vari Sylvester holds interest through a long and complicated plot, ending in a hair-raising rescue in remote Scotland. The killer's identity is revealed in eerie sections enhanced by the audio, but which shift the focus from surprise to suspense. The graphic violence and sexual content are somewhat blunted by Sylvester's clinical tone while the intermittent Rachmaninoff prelude seems an odd choice. J.B.G. (c) AudioFile 2002, Portland, Maine
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  • Publisher
    Brilliance Audio
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Killing the Shadows
Killing the Shadows
Val McDermid
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